Contributors who trace ancestry here
No public contributor has set their ancestry to Khoma yet. Anonymous origin records and unmatched village names are not shown here. Trace your own ancestry to be the first.
Oral histories from Khoma
No public oral history names Khoma as the narrator's origin yet. Record your story and choose your consent tier.
Articles that mention Khoma
Taktsang Monasteries of Bhutan
Taktsang ("tiger's lair") is a class of cliffside hermitages across Bhutan associated with the meditation of Guru Padmasambhava and his consorts. While Paro Taktsang is the most famous, the network includes Singye Dzong in Lhuentse, Taktsang Pema Tsel in Bumthang and several smaller sites.
Ashi Tsundue Lhamo
Ashi Tsundue Lhamo (also known as Lemo) was a consort of Gongsar Ugyen Wangchuck, the first King of Bhutan, and is historically significant as the mother of Jigme Wangchuck, the Second Druk Gyalpo.
Kushuthara Brocade
Kushuthara is the most prestigious and technically demanding textile produced in Bhutan, a supplementary weft brocade woven primarily by women in Lhuentse district. Featuring elaborate multicoloured patterns on a fine cotton or silk ground, kushuthara textiles are considered the highest expression of Bhutanese weaving artistry.
Bhutanese Textile Motifs
Bhutanese textiles are distinguished by an elaborate vocabulary of symbolic motifs drawn from Vajrayana Buddhism, pre-Buddhist animist traditions, and royal iconography. This article catalogues the principal motifs woven into kiras, ghos, kushuthara brocades, and other textile types across Bhutan's diverse weaving regions, explaining their spiritual significance and identifying the textile types in which they appear.
Bhutanese Weaving Traditions
Weaving (thagzo) is one of the most important of the Zorig Chusum, the thirteen traditional arts and crafts of Bhutan. Practiced predominantly by women using the backstrap loom, Bhutanese weaving carries deep cultural, economic, and spiritual significance, producing some of the most technically complex textiles in Asia.
Regional Weaving Traditions
Bhutan's weaving traditions vary significantly by region, with distinct techniques, materials, and aesthetic preferences associated with each district. Major centres include Lhuentse (kushuthara brocade), Bumthang (yathra wool textiles), Trashigang and Pema Gatshel (hor and trima), and Haa and Samtse in the west.
Lhuentse District
Lhuentse District (Dzongkha: ལྷུན་རྩེ་རྫོང་ཁག) is a remote district in northeastern Bhutan, renowned as the ancestral home of the Bhutanese royal family. The district is celebrated for its exquisite textile weaving tradition, particularly the Kishuthara silk brocade, and is home to the historic Lhuentse Dzong perched dramatically above the Kuri Chhu river.
Kushuthara Weaving of Khoma
Khoma village in Lhuentse district is the heartland of kushuthara production, Bhutan's most prized and technically demanding textile. More than 80% of Khoma's women depend on this intricate brocade weaving for their livelihood, using the supplementary weft technique to create patterns so elaborate they are often mistaken for embroidery.
Lhuentse Town
Lhuentse Town is the administrative capital of Lhuentse District in northeastern Bhutan, situated at approximately 1,460 metres elevation in the Kuri Chhu river valley. Revered as the ancestral home of the Wangchuck royal dynasty, the town is renowned for Lhuentse Dzong perched on a ridge above and for the exquisite Kishuthara brocade weaving tradition of the nearby Kurtoe region.
Mongar Tshechu
Mongar Tshechu is one of the most important cultural festivals in eastern Bhutan, held annually at Mongar Dzong. Celebrated over three to four days in the eleventh month of the Bhutanese lunar calendar (November or December), the festival showcases eastern Bhutanese mask dances, religious ceremonies, and cultural traditions in a setting that receives fewer international tourists than western Bhutan.
Kira
The kira is the traditional national dress for women in Bhutan, an ankle-length rectangular cloth wrapped around the body and fastened at the shoulders with silver brooches called koma. Like the gho for men, the kira is mandatory in government buildings and formal settings under the Driglam Namzha dress code.
Connected to Khoma?
Trace your ancestry on the family-origins map, or share an oral history under any of the four consent tiers.