Ugyen Wangdi (filmmaker)
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Ugyen Wangdi is a Bhutanese filmmaker who directed Gasa Lamai Singye (1989), the first feature film produced in Bhutan. A graduate of the Film and Television Institute of India (FTII) in Pune, he founded Ugetsu Communications and pioneered Bhutanese cinema, including the country's first documentary.
Ugyen Wangdi is a Bhutanese filmmaker widely recognised as the pioneer of Bhutanese cinema. In 1989, he directed and produced Gasa Lamai Singye (The Legend of Galem and Singye), the first feature film ever made in Bhutan. He also created Bhutan's first documentary, Yonten Gi Kawa (Price of Knowledge, 1998), and has spent more than four decades championing filmmaking in a country where the medium was virtually unknown before his work. He founded the production company Ugetsu Communications and developed the touring distribution model that remains standard in Bhutanese cinema.[1]
Early Life and Education
Wangdi grew up in Bhutan and developed an early interest in visual storytelling. In the mid-1980s, he enrolled at the Film and Television Institute of India (FTII) in Pune, one of Asia's most prestigious film schools, where he studied filmmaking. He returned to Bhutan with the ambition of creating the country's first feature film, at a time when only a wealthy minority of Bhutanese had ever been to a cinema or watched television.[2][3]
Gasa Lamai Singye (1989)
Gasa Lamai Singye is a tragic love story based on a popular Bhutanese folk song about two divided lovers, often compared to Shakespeare's Romeo and Juliet. The film draws on true events and a narrative deeply embedded in Bhutanese oral tradition. To accommodate Bhutan's linguistic diversity — the country has some 22 languages — Wangdi incorporated extensive visual storytelling and silence, allowing the imagery to carry the narrative across language barriers.[4][5]
The Fourth Druk Gyalpo, Jigme Singye Wangchuck, personally reviewed and approved the film before its release. The original print survives as a single Betamax cassette held in Wangdi's home. Such was the film's cultural impact that villagers later rebuilt and ceremonially honoured a stupa featured in the production. A remake directed by Sonam Lhendup Tshering was released in 2016, testifying to the enduring significance of the story.[6][7]
Documentary Filmmaking
In 1998, Wangdi directed Yonten Gi Kawa (Price of Knowledge), a documentary following the daily life of an 11-year-old boy, which became the first documentary produced in Bhutan. The film won an award at the International Film Festival in Nuoro, Italy, and received a Certificate of Merit from the San Francisco International Film Festival.[8]
His second documentary, Yi Khel Gi Kawa (Price of a Letter, 2004), chronicles the career of 49-year-old Ugyen Tenzin, the last postal runner of Bhutan, who walks through the mountains to deliver mail to the remote village of Lingshi at 12,000 feet. Shot over three years to capture both winter and summer seasons, the film won the Diane Seligman Award for Best Documentary at the Brooklyn Film Festival in 2005.[9]
Film Distribution Innovation
Wangdi introduced the distribution model still used across Bhutanese cinema: personally touring a film to villages throughout the country's 20 dzongkhags. Because cinemas exist only in major towns, most screenings take place in school halls, community centres, and open-air venues including paddy fields. A single tour covering roughly 200 locations takes approximately one year. The filmmaker travels with the sole copy of the film and remains present during screenings to prevent piracy. In the remote village of Laya, audiences attended screenings every night for ten consecutive nights, with villagers placing torches along mountain paths to guide one another home safely afterwards.[10]
Legacy
Wangdi's work laid the foundation for a national film industry that, by 2005, had grown to include approximately 60 films and 36 registered production houses operating under the Motion Picture Association of Bhutan. His commitment to storytelling rooted in Bhutanese culture and landscape set the template for subsequent generations of filmmakers, including Dechen Roder and Dzongsar Jamyang Khyentse Rinpoche, whose films have brought Bhutanese cinema to international audiences.
References
- "Moving Pictures." Works That Work, No. 8.
- "Moving Pictures." Works That Work.
- "About Us." BESKOP Bhutan.
- "Gasa lamai singye (1989)." IMDb.
- "Moving Pictures." Works That Work.
- "Moving Pictures." Works That Work.
- "Cinema of Bhutan." Wikipedia.
- "A Short History of Filmmaking in Bhutan." Bhutan Films Blog.
- "Price of Letter." Brooklyn Film Festival.
- "Moving Pictures." Works That Work.
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